If the archive is imagined as a static surface of knowledge, my work asks how it might be bent, stretched, fractured, and reimagined through embodied practice. I am immensely interested in the conditions under which knowledge becomes legible and in the forms of knowing that remain overlooked because they move, remain silent, disappear, or resist capture.

Alongside my academic practice, I am a movement artist who devises performances that experiment with form and collective memory.

This website brings together my research, writing, field notes, and artistic collaborations as an evolving record of my work.